Friday, May 4, 2012

VSOA Vol. V - Path Through Wheat (2012) - Garage Acid / Heavy Psych / Progressive Folk compilation



My words :
Hello, here's the newest compilation I made up out of hours of listening to internet psychedelic radios, youtube related videos or friend's recommendations and here's the top tunes I've collected last month. Comp is kicking in with a acid blues garage legends - The Misunderstood with Who's Been Talking. Guitar riff with combination harp is just super addicting. You'll be singing this tune in your head from now on, there's no escape. It can get you in a slow-maniac dance mood or maybe slow-maniac hazy dream, it's up to you to choose. Next one is extremely rare Swedish progressive rock band, Blond with beautiful acoustic-beat tune, Sun In Her Hand . Easy and mellow intro with keyboards is just a step away from dreamy fantasy, and strong and solid refraine is rooted in krautrock that was very influental in Europe those days. After this tune, there's another kicker in a acoustic-ballad style, but with rock n roll titans - Led Zeppelin with Hey Hey What Can I Say. I always loved this tune, and as a matter of fact, this was THEE first tune I've ever heard from mighty Zeps. Yep, this B-side was familiar to me long-before legendary classics as Stairway To Heaven, Whole Lotta Love or Dazed and Confused came to kick in. However, I prefer acoustic Zeppelin over the usual one because I think they sound more fluental, more natural, more like real Led Zeppelin with spirit and soul that's so deep that you can take an easy rock-n-roll dive in. Next one is oriental desert dream, Breaking Through by Gale Garnett & Gentle Reign. Rhythm is like hearing something coming from a distance - it can be a running horse or distant storm, and if you're patient enough, it'll come. I think we can all agree that best part of the song is Gale's performance - ofcourse every good psychedelic rock frontman who was a girl sounded like Grace Slick (just look at the Fairport Convention or The Shocking Blue) - but Gale have Slickness, and some other stuff, too. If you ever thought that good Allman Brothers Band may be gone for sure, take a second guess. The new kids on the block that can rock - The Sheepdogs with Southern Dreaming are following their idols although still remaining original and fresh. This intro lick is like something that Dickie would make up, but these Canadians got it first. Great tune, great band. Can't believe they're unsinged and still very much indie (atleast they were when I found about them), good luck guys in finding record label! Next one Maker from The Hollies  is a beautiful psychedelic sitar-driven meditation. Just sit there, smoke something particular and fly on. I was listening this tune when I already knew about it and when fascination of new great song wore off, I kept listening that sitar in the background that's constantly playing - it's just magical, try to listen all the riffs that crazy sitar mister is delivering! Next one is my top favorite tune for more than 2 months - They Saw The Fat One Coming In by The Strawberry Alarm Clock. Just fuckin' listen to this song. Damn! Isn't it amazing and mysterious at the same time? I feel like there's something I just cannot catch, out of reach and comprehension. Not like something's missing - this tune is perfect, but like some feeling for which we haven't invented a word yet. Dreamy and slow singing is making delicious combination with guitars in background, and that riff that just jumps in out of nowhere, the one that is always the same. It's like perfect combination of mood and sound, and I think that the first one is more important. Who's the stranger that walks among us and why is he here?


Similar to the Misunderstood, Chocolate Watchband is kicking in the same mood. It's groovy, catchy and psychedelic and it's called Gone & Passes By. Harp and rhythm section is making ideal combination, while layers of sound are just falling on them - like amazing sitar solo and organ in the background. Lyrics are also important and they are having a big role in the whole song. Next one is a really sad - not just because of moody sound of English Rose that brought us Yesterday's Hero, but because the band is unknowingly singing a song about themselves. Just like in the song, the "hero" that got forgotten - same happened to the band. This is the only song I was able to find on whole goddamned Internet, no info about the band is known, and on Youtube there's nice video that goes with the song - probably band members goofing around. That's where I cut this song from - I transformed it to mp3 because there's no other way for me to show you this song. I know there's no clear end, but that's the way it is. At least you actually found out about this great song. Also, if someone can hear all the lyrics, I would be more than grateful if you could type it for me in comment section, I can't understand some parts. Next one is Astral Plane by Influenza - psychedelic rock in a standard fashion - lyrics about getting through so you can open your mind and see everything. But however, I had few doubts about putting this songs on compilation, but I put it anyhow just so I can add some more colors to this comp. I think it is a really cool song, you can sing the chorus because it's catchy, and the guitar work is proper. We're kicking away with more garage sound - here's ultrarare The Gretta Spoone Band with Close Your Eyes - minimalist song that is yet amazing. Look at the rhythm - nothing spectacular, guitar is just strumming chords, singing is okay - but that harp riff is giving such energy and pure, simple power to whole song and everything makes sense. This is maybe simple and short, but powerful and strong tune that don't need fancy solo or million effects in background. Keep it simple. Keep it garage.

I always love to hear details in music. Not those things everybody hear first, but those silent, fast moments when you keep thinking did you just hear it or it was just you, cracking your sanity with pre-built voices in your head. That tune is Just One Time from Juicy Lucy. Whole song is a detail. Tiny sounds are spreading forward fast from your speaker through your ear all the way to the big ole brain, making sweet pasta with extra sauce. It's like the song never even started. Dolphins are next, from already-known Gale Garnett & Gentle Reign. Yeah, they already have one song on this compilation ("Breaking Through"), but this song sounds like nothing like that - it's a male singing acoustic ballad. But you know what? I just don't give a fuck about putting two songs from the same band, from the same album - this is my compilation and I'll do whatever I want :) So, listen to the amazing cover of Tim Buckley's song. I love Gentle Reign's version more because voice is more suitable to simple chord strumming and it's very simple - just voice and guitar, without anything else. Last one is beautiful masterpiece written by Carl Wilson (from The Beach Boys) - Feel Flows. I think this is one of most complex Beach Boys' songs. Through whole compilation we're dealing with simplicity and complexity in sound - and this tune said it all, putting last dot where it should be. I feel like I'm being sucked into a colorful wormhole. Reverse rhythm, relaxed singing and amazing lyrics. Actually, it's not lyrics. It's poetry. And the solo is pretty neat.


Zoom in this comic and read while listening to Feel Flows ;)

Songlist:

The Misunderstood - Who's Been Talking
Blond - Sun In Her Hand
Led Zeppelin - Hey Hey What Can I Do
Gale Garnett & The Gentle Reign - Breaking Through
The Sheepdogs - Southern Dreaming
The Hollies - Maker
Strawberry Alarm Clock - They Saw The Fat One Coming
Chocolate Watchband - Gone & Passes By
The English Rose - Yesterday's Hero
Influenza - Astral Plane
The Gretta Spoone Band - Close Your Eyes
Juicy Lucy - Just One Time 
Gale Garnett & The Gentle Reign - Dolphins
The Beach Boys - Feel Flows


Cover Art : Photo by Kat White 
Psychedelic Rock sound : 7/10
Garage Rock sound : 8/10 
Folk Rock sound : 5/10
Trip-o-meter : 8,5/10


Sunday, April 15, 2012

Churchill's - Churchill's (1969) - Israelian Heavy Psychedelic Garage Rock


About : Churchill's were a Psychedelic/Hard Rock/Progressive Rock band from Israel, active in the late 60s and early 70s.
The Churchills members were:he 
* Robb Huxley - Guitar, Vocals
* Miki Gavrielov - Bass
* Haim Romano - Guitar
* Stan Solomon - Vocals
* Ami Traibetch - Drums

After their first eponymous album, they changed their name to Jericho Jones in order not to offend their british fans.


Churchill's


My words : This album is tightly connected to the one I posted before - not by the same vibe or exact music genre (altho both are psych rock), but by the way how I found out about Churchill's - during Igra Staklenih Perli's last gig in Zagreb, I met a dude who has identical music taste as me - a really rare thing to happen, especially in Croatia. I think amount of people who listening these kind of music, especially obscure bands are almost on zero - he's Milan he introduced me to this amazing album by Iranian psych rock legends. Original LP of this baby is one of most sought-after obscure LPs at the moment in the world, and the price goes way too high. However, acid garage sounds of these guys are poisonus and easy addictive. Playing around with simple garage rhythm and adding complex details (big respect to lead guitarist), sounds and moods are something that makes Churchill's shine bright on map of the 60s bands. Such songs are Open Up Your Eyes, Song From The Sea and Comics. Needless to say that they draw influence from the world psychedelic scene, from freakbeat of The Attack and The Small Faces ( Pictures in my Mind )  till acid rock from The Doors and Jefferson Airplane ( When You're Gone , Strangulations). It's important to notice that Churchill's not only have open mind for exploration beyond musical borders (Straight People), but they're also brilliantly melodic and catchy alhtough they're staying away from cheesy psychedelic pop. The vocals (Stan Solomon) are ranging from sweet and mellow whisper till almost scream-like singing ala Blue Cheer and Arthur Brown, or even Edgar Broughton Band. My favorite track is mandolin-driven folk acid ritual of exotic sounds - Subsequent Final, and I've been repeating this one since Milan showed them to me. Mandolin player must be genius or a madman because melody's he's making are almost orgasmic - the speed and incredible harmony is making the sound of mandolin look like it's a nervous kid who runs up and down the garden. I also love the way Solomon sings and interlace his voice into melody, extending some words so they cover some parts on melody or stop to give a mandolin some space. This is one of the heaviest tune's I've heard in a while. Churchill's also have an answer how to combine LSD creativity with music - they made some melody and remix it so it plays backwards, and beats fits perfectly with singing and tempo. The tune is called So Alone Today and it's interesting add to an album. Last one is Debka, garage rock combined with warm tempo of oriental folk with bongos and mandolin. There's also cover of Led Zepplin's Living Loving and some other bonus tracks, this stuff is pretty sweet too. This album is HIGHLY recommended to all fans of folky garage psych , it's absolute rarity and you should check this out.

SCORE:
+great acid garage from Israel
+extremely rare
+experimental & melodic at the same time

Cover Art : 6/10 - Although the album is amazing, the cover is not up to the quality of record he's protecting. Faces are too much disorted to show psychedelic trip, and yet there's one face (top left) that's clear - and that trashes whole too-much-acid-distortion idea on their faces. Colors are okay, but the execution of this photo should be better. I also don't understand why they wrote Churchill's in latin letters, then wrote same, but on Israeli.
Psychedelic Rock sound : 7/10
Garage Rock sound : 8/10
Folk Rock sound : 5/10
Trip-o-meter : 8/10
Recommended tracks : Subsequent Final, Pictures In My Mind, Comics, Open Up Your Eyes, Straight People



Thursday, April 5, 2012

Igra Staklenih Perli - Igra Staklenih Perli (1978) - Ex-Yugoslavian Psychedelic Progressive Space Rock


About : IGRA STAKLENIH PERLI, the ultimate ex-Yugoslavian space/psychedelic rock band, was formed in 1976 in Belgrade, Serbia, having been named after the famous novel by Hermann Hesse - "Das Glasperlenspiel" (The Glass Beads Game). The original line-up consisted of: Zoran Lakic (keyboards), Vojkan Rakic (guitar), Predrag Vukovic (percussions) and Drasko Nikodijevic (bass & vocals). In late 1977 Dragan Soc joined the band as drummer while they played live concerts at Belgrade clubs, preparing to start recording their first album, which they did in mid 1978.



My words : After their great reunion gig in Močvara, Zagreb last week I was more than tempted to tell the world about this most amazing band  from my area, that recorded their cult debut album in 1978, while Yugoslavia still existed. Actually, I'm even more amazed I didn't reviewed it before. It is important to mention that Yugoslavia was somehow immune to hippie freakout in 60s, and immersion from psychedelic to progressive and space rock in 70s - this kind of things happened in England, Germany and other Europe countries, but not here in a full bloom. But however, faithfull spark of this immortal music dropped on a Yugoslavia ground, and I'm more than glad that these guys picked it up and made this legendary album. For readers from other countries it may be hard to believe that this was ONLY real psychedelic/progressive rock that existed here. Other bands played with these genres but at the end it would sound too poppy. This band removed boundaries of mind and unlimited creation, that's why LP of this golden album is more that 200 euros.


Igra Staklenih Perli

Playing with experimental space and heavy acid rock (Gušterov Trg), they're on the same level as early Hawkwind or Eloy. Dark, almost ritual atmosphere is bolded with mesmerizing organ riff that's repeating through whole song as if its some kind of mantra. The only weak part of this psychedelic blend is vocals. I think they're somehow too weak, but lyrics are solid. The peak of your experimental acid adventure could use Solarni Modus for it's soundtrack - because, just sitting here and writting this, while listening this song is very trippy experience. Now imagine adding something extra to this equation :)
Putovanje u Plavo (putovanje = trip) is indeed a trip into something more holier and divine. It's like sitting in front of Eden's gate and wondering what's inside. Tempo and beat of your thoughts while thinking this could easily interlace with melody. My favorite tune is like listening "Set Controls For The Heart Of The Sun", but Balkan way - it's called Pečurka and it's a unique cover of CAN's Mushroom. I know that ISP may be already sick of these comparison, but I just want to give audience picture of what it might look like. Well, this tune is probably brightest gem on a crown of a Yugoslavian psychedelia. Heck, probably all the gems on that crown are made by these acidlovers. Pečurka slowly builds into chaotic dance of screeching guitars, hot tempo and oriental organs, and after a while everything just explodes. The last tune, Majestetski Kraj is vibrating background to explore your subconscious.Constant bass groove and hazy guitar's howl can  describe you how wild it was back in 1978, in some Belgrade underground club.  I wasn't born in 1978, but I was in Zagreb's underground club and saw everything, all this haze, 33 years after. Sure, they changes some member but they sound and energy was vital and strong as it was from the day one. Very good connection with audience resulted in two encores, where they absolutely blew off my mind more than any shotgun could do. Later, I sneaked into backstage for autograph and I met Drak, bassist and a leader of the band who was really cool, we talked about their upcoming tours and about the band, he's really great guy. I'm looking forward for their upcoming gigs and REPRINTS OF LPs! Guys, you need to do that for sure! I'm glad they reunited to and gave this generation a privilege to see them and enjoy their music. There's also 4 bonus tracks (Flow Access, Hotel Wave, Magic Machine, Lake of Lily) that will push you further in your journey for an open mind. Magic Machine is my favorite among these trippy bonuses. Peace

SCORE:
+fathers of psychedelic rock on Balkan
+amazing psych space rock
+great bonus tracks
-vocals are sometimes weak

Cover Art : 8,5/10 - Cover art is great, it took me a while to figure out there's some girl (Shiva ?) fighting big lizard-looking monster. Definately catches the dark and trippy atmosphere of the album. It was made by Pedja Vuković Wolff, who is drummer of the band.
Psychedelic Rock sound : 10/10
Progressive Rock sound : 7/10
Space Rock sound : 6,5/10
Trip-o-meter : 10/10 TOP TRIPPY STUFF!
Recommended tracks : Whole album!

Sunday, March 25, 2012

Aaron Space - Aaron Space (1972) - Canadian Hard Psychedelic Rock


About : Aaron Space are Jake Thomas (guitar,vocals), Dave Moulaison (guitar,vocals), Gene Falbo (bass,vocals) and Bob Disalle (Drums,vocals). Aaron Space was a Canadian psychedelic rock band from Toronto, performing Art Rock with a touch of psychedelia and a pinch of 7O's Hard Rock. 

My words : Longhaired acid-loving Canadians are coming your way this time, because Aaron Space is next. This extremely obscure Canadian heavy psych is high-valued among vinyl collectors and after you listen few songs you're realize that this album is made by talented bunch influenced by Hendrix, Cream and Grand Funk Railroad, to name a few. From heavy fuzzy guitar and a dirty screechin' solos (Keep On Moving, When She Smiles, Man In A Yellow Car) till liquid sound of wah wah playin' (Silly Ceilings, goofy playing with words) and bluesy-country acoustic piece (Marsha, The Loser), this guys have a wide pallete of colors within their sound - and everything's how it should be. Kicking from base established in root rock 'n roll and blues, adding psychedelic advances to such sound is more than welcomed. However, although all this influenced should turned them into a new Blue Cheer, they sound more softer and pop-ier (North Country Rock N Roll), but it's still good ole rock n roll with balls. Gotta mention that wild guy on a lead guitar (don't know if its Thomas or Moulaison), and oh boy, he shreds! Within this album, there's few songs you could call "a hit" (It Might Be You), but however, this group remain so obscure that you can't even find pictures of band members! Last tune is the longest one and it's a relaxing acid jam, in a style of early Grateful Dead (Rainbow Ride). I found that this album is one of coolest album you can find while having a roadtrip. It's easy, relaxing, fun and catchy. You can't go wrong with this one - it's heavy sunshine psychedelic rock n roll at it's best. HIGHLY recommended of fans of heavy psychedelic rock mixed with funk, blues and acoustic rock.
SCORE:
+awesome heavy psych from Canada
+extremely obscure
+amazing lead guitar
+blending different ideas from various genres into one

Cover Art : 7/10 - It's somehow naive picture of the band, but still it's a good sample of what their music sounds like. It's open, dreamy, colorful, simple and easy to understand. There's no hidden messages - what you see is what you get. 
Psychedelic Rock sound : 9/10
Progressive Rock sound : 4,5/10
Blues Rock sound : 7/10
Trip-o-meter : 8,5/10
Recommended tracks : Silly Ceilings, It Might Be You, Man In A Yellow Car, Keep on Moving

Wednesday, March 14, 2012

C.W.Stoneking - Jungle Blues (2008) - Australian Acoustic Folky Gypsy Delta Blues



About : C.W. Stoneking (b. 1974) is an Australian blues musician. Stoneking was born in Katherine to Californian hippie parents who had met at a music festival. His parents separated, and he was brought up by his father, a teacher in the Aboriginal community of Papunya. His interest in the blues was sparked while a student at Sydney’s Balmain High School. He stumbled across some of his father’s blues tapes. At this time one of his classmates was Alex Lloyd, also a blues fan, and they sometimes jammed together. His influences include the blues legends Blind Willie McTellBig Bill BroonzyLeroy Carr, and Memphis Minnie. He now describes his style as “Hokum Blues”, a musical brew influenced by prewar blues, ragtime, vaudevillian novelty tunes, old hillbilly songs, jazz, and calypso.



C.W.Stoneking

My words : You won't believe what I have for you today. It's not mindtripping or third-eye-philosophy embracing music, it's dirty gypsy blues from the secret vault in Australia that unleashed new Tom Waits and John Lee Hooker in once - and his name is C.W. Stoneking. I'm in a bit rush so this review is gonna be quick. This album would be more appropriate if I had called my blog "the 30s sound", because that's how this sound. Combining old-school, true-to-the-roots acoustic sliding blues (Early' In The Morning, Jailhouse Blues, ) with wit, almost carinval sound of gypsy ragtime, often having preaching parts to paint pre-war atmosphere (Housebound Blues, I Heard The Marchin' Of the Drum, Jungle Blues, The Love Me Or Die). There's even tune where he's effin yodling (Talkin' Lion Blues) or talking through whole song, and it sound like it's recorded in some merry saloon 80 years ago (The Greatest Liar). Heartwarming, retro spirit of this Aussie sure make me wanna buy this album on LP and roll it on gramophone. Bringing ideas of some more decent and elegant times with his beautiful old-blues-man voice makes this so authenthic that if they wrote 1935 instead of 2008 on the back cover, I'd believe it. His voice is really something special, something crackin' on higher tones just like a warm campfire. This man is awesome, you definately should check out this brilliant, travelin-through-time music. This is final proof for everyone who said old blues died these days. Well, what you're waitin' for, download it and if you like it support this amazing artist :) Peace

SCORE:
+brilliant acoustic retro gypsy blues
+proof that there's (very) old music still being made today

Cover Art : 9/10 I love this photo, it's so simple but it tells everything. I have to mention great, simple, 30s style graphic design of cover. It has unique taste, perfectly fitting with music. Also had that potential to become legedary cover art. Really well done, I really like it.
Folk Rock sound : 6,5/10
Blues Rock sound : 10/10
Jazz sound : 7/10
Trip-o-meter : 2,5/10
Recommended tracks : I Heard The Marchin' Of The Drum, Early' In The Morning, Brave Son of America, Jungle Lullaby

Sunday, March 4, 2012

VSOA Vol. IV - Red Ash (2012) - Acoustic Folk / Space Progressive / Heavy Psych Rock Compilation




I'm glad to announce yet another compilation of my latest (mostly very obscure) favorites in the field of 60s & 70s folk, psychedelic and progressive rock.  Compilation starter is an acoustic progressive tune by Genesis called Horizon's , and it's a sort of dedication to Bach and Beethowen's ultimate mastermind. I fell in love this tune about 2 weeks ago and immidately decide that I'll learn it to play on a guitar, and I haven't stop until I finally learn it (yay!). Beautiful passages colors light, antique atmosphere and make this short tune timeless. Hendrixian tune Silly Ceilings by Aaron Space is indeed a wah-wah-full, used in a right manner. This psych-bluesy wonder takes listener on a quick, but memorable brain-dance. Riding in a car stoned, in a lazy afternoon, makes you an instant badass. I know that Deep Purple was never a flower-power loving, psychedelic-rock-based rock band, but their tune The Mule, off their Fireball album, is nothing but love-in acid explosion. Just check out those furiosly beating drums, and a cosmic keyboards, whoa. I heard it for the first time while I was flipping Grateful Dead LPs in a local record store, and I got mesmerized by hipnotic beat. If there was a situation where song is great, and I can understand the lyrics, I'd remember them and google it as fast as I can, but his time I had to suck up my shyness and politely asked the girl that was working there "What in name of sweetest puff in the world is this tune, my dear lady?". She looked at the playlist and accidentaly told me wrong song, but luckily it was on the same album as The Mule so I quickly found it. Awesome. Next one is oriental-influenced but still very proggy-psych in an English style by Caravan, called Ride. Indeed is a ride, for intro is something like entering a harem in a middle of a Haight-Asbury. Outstanding, Caravan! I'm really enjoying in a part where organs and guitars kicks in, especially organ solo at the end. Have you ever heard of a extremely obscure Greek progressive rock band The Tricks Of The Sun before? Well, me neither, because I dug out this tune (called same as the band, The Tricks Of The Sun) on the other side of the Youtube, where few man ever surf and got amazed because this remind me of a Narrow Way from Ummagumma from ofcourse, Pink Floyd, or any other tune from that album for that matter. Acoustic intro, weird Greek spoken word by a child and Jethro Tull-friendly atmosphere with those flutes are promising facts for you to check this out. Well, while speakin' of obscurity, Just Others comes to mind, too. Their folk tune Question Of Emotions is a pure, heartwarming tune. This follk duo reminds me very much of Simon & Garfunkel, so if you like this famous Mr. Robinsoners, Just Others could be your next favorite band. We're returning to intense progressive beats with Sandstorm and their Underground Session. Having in mind legendary krautrock bands as Ash Ra Tempel or Amon Duul II, this french progressive madness is heavily influenced by its neighbours. Lengthy, orgasmic jams and genius-guy at the keyboards are just one of the things that these band have in common. Next tune, Donovan's Marjorie (Margarine) is a simple and nice tune. Keepin' it clear in a Donovan's style, talking about mundane, childish themes is something I really like about him. Catchy chorus and droning sound of acoustic guitar are one of his secret formulas why he sound so fresh everytime, but at the same time he brings spirit of a lost generation. Kollaps by Gila is next tune on this compilation, following the idea why this blog is ever created. I discover this band just today, and decide to put this amazing dark, psychedelic tune here. At the same time, it creates wonderful background for your favorite bad trip, cool and actually pretty bad-ass theme for stoner-western, but however recalls lazy , soft, summer lets-do-nothing atmosphere with your stoner friends. Now I see who did nowadays desert-rock bands listen to. There's no VSOA compilation without catchy-riffed, garage-themed and fuzz-loved tune, so this time there's one of my all-time favorite garage rock tunes - Save My Soul by The Wimple Winch. It's a dance caller and at the same time, a doobie roller. Dirty, furios vocals are giving necessary kick into a garage-rock heaven. Next one is a cover of traditional English tune, Cocaine by Universe, but don't let acoustic intro fool you - however folk and superawesome, this ain't gonna be John Martyn or Nick Drake. First three-minutes-or-so is a base of the song, while rest is jam-like progressive craziness combined with ole English cocaine - just let that organ riff at the start introduce a wonderful jam. One of coolest founds I've stumble upon this week. Awesome raga folk is coming your way, it's called The Moth by Them. Following 1967s fashion of adding sitar sound to their tunes, Them made whole their album "Time Out! Time in for Them" very folk-like. However, they're pretty good at string instruments and this is proof. Now, probably brightest masterpiece on this compilation - dark, surreal trip-story Endless Tunnel by The Serpent Power. For all you who will make a sudden-judge with similiarities with The End, hold on - this tune is recorded few months before The Doors' classic. However, atmosphere that slowly lifts up to the boiling point, brilliant lyric-storytelling and hipnotic rhythm are sure things these two bands handled with ease. Lyrics are probably one of most brilliant stuff I've ever heard - narrator slowly realizes that's he's on a train that' slowly is going in an unknown direction, everybody on board are bizzarly odd and made surreal interactions, as "I tap the old lady and she turned into a powder"; "Cold breeze and phytons hissed me out a welcome"; and ofcourse that silent, alienated Mr. Conductor that never gives an answer to our hero, but always walk on by. Mastermind instrumental breaks are hard to forget, for when you heard them for a first time, you'll fall in a tempting trance. I love how narrator is slowly becoming insane because of his unreal surrounding. I think boiling point in this song is the answer from engineer, when he says where they're going. You absolutely have to check out this song, because it's one of most mindblowing tunes ever released in San Fran. This song is a dark miracle.
I hope you enjoyed yet another compilation, I put a lot of time checking out tons of songs to find right ones to put here. Peace :)

Songlist : 

1. Genesis - Horizon's
2. Aaron Space - Silly Ceilings
3. Deep Purple - The Mule
4. Caravan - Ride
5. The Tricks Of The Sun - The Tricks Of The Sun
6. Just Others - Question Of Emotion
7. Sandrose - Underground Session
8. Donovan - Marjorie (Margarine)
9. Gila - Kollaps
10. The Wimple Winch - Save My Soul
11. Universe - Cocaine
12. Them - The Moth
13. The Serpent Power - Endless Tunnel

Cover Art : Photo made by Stefano Bonazzi, edited by me
Psychedelic Rock sound : 8/10
Progressive Rock sound : 9/10
Folk Rock sound : 6,5/10
Trip-o-meter : 10/10

Monday, February 27, 2012

The Black Angels - Phosgene Nightmare (2011) - USA Heavy Neopsychedelic Rock



About : The Black Angels are a psychedelic rock band from Austin, Texas, formed in May 2004. Their name derives from the Velvet Underground song “The Black Angel’s Death Song”. The band consists of Alex Maas (vocals, guitar), Christian Bland (guitar), Kyle Hunt (keyboards), Nate Ryan (bass) and Stephanie Bailey (drums).


Hannah Levin’s review of the Black Angels album, Passover, described them as “Walking in the shadows cast by Spacemen 3 and Spiritualized mastermind Jason Pierce” and compared them to The Warlocks and Black Mountain, also invoking “dirges” reminiscent of both The Velvet Underground and the 13th Floor Elevators. The band’s icon is a stylized image of Nico.



THE BLACK ANGELS
Left to right : Nate Ryan (bass), Alex Mass (vocal, guitar), Stephanie Bailey (drums), Christian Bland (lead guitar), Kyle Hunt (keyboards)

My words :  You better prepare your ears, mind and everything else you need while listening to music, because one nasty hitter is a-comin' your way. If you followed my blog for quite a while, you'd know that I also reviewed their latest album, Phosphene Dream. Well, if the band's fan sites are true, you are looking at the review of their B-sides. I can't believe this amazing piece of music is someone's B-side. Oh god. Okay, let's dive into the first song. "Melanie's Melody" is something you'd hear from The Black Angels, but with dreamy rather than fuzz effect. Oh yeah - and in that dream, everything's orange. Organ squeak kinda flashes never-forgotten love to bands that evolved from basic 60s rock n roll into dark, dreamy, flashy psychedelia and changed their regular outfit with a rather rippy one - The Zombies come to mind, yeah. Okay, are you ready? Take a breath or two, because next one is fuckin' "Ronettes" - this song is so HEAVY, that the last time when I heard something mindblowing like this, it was probably coming from The Velvet Underground's or The Doors' debut album. Believe me, you got All Tommorow Parties, combined with The End and Riders On The Storm. IT JUST CAN'T GET BETTER. That change from Lou-Reed-style guitar solo at 1:57 with that trippy sound break on echo, and when beeeaaautiful Riders On The Storm keys kicks in, I'm in heaven. I mean, this complexity of sound and layers of intertwined melody haven't been achieved, in like 40 years, and what do they with to this track? They put it on freakin' B-sides! COME ON!
Don't think that The Black Angels is all about kicking your brains out with enormous dose of acid-friendly  sound frequency (although they do this, too) - biggest proof for this sentence is next song - heart-warming, sad bluesy ballad, "The Boat Song". Alex's voice is beautiful already, but with this combination - while he's singing not lyrics, but poetry it's just another level of epic. These guys are digging deep into something that defines legendary rock and roll band, and I haven't seen it for a quite a long time. You know that feeling when you consider your band a religion? Yap, that's what I'm talking about. You can get a feel what is feels like to be one of possessed fans - while he's singing "What do I do to keep the sunshine in?". I mean, do I have to say anything else? This band is my fucking religion. Words cannot describe intimate beauty of this song - strung between life and death, between love and eternal silence. Next one, "At Night" is great tune to warm you up before you go out. Warm, beach sound of guitar and african beat on drums just speaks summer. Yet again there's brilliant guitar of Christian Bland, the dude that said "shut the fuck up!" to the new poseur indie band and start playing guitar like it was always supposed to. Just listen to his playing, it's pure love. Oh my god, now comes THAT song. The song that opened so many different worlds to me in just a few days. I don't what to even say about this song because with this song, I felt those emotions that words cannot describe, emotions that are so rare that they aren't in dictionaries. This remarkable masterpiece is called "Choose to Choose" , and I know where to start. Okay, let's try from basic stuff - rhythm and such. Well, rhythm is like listening Beach Boys, The Byrds or Jefferson Airplane on most colorful trip ever. I can feel flowers growing out of my speakers as I listen to this. There are Beach Boys-styled harmonies, too; and I'm glad too see that there's much more use of classical harmonies in new bands, like Fleet Foxes. Lyrics for this song is something most amazing I heard in a while. This whole song is like one of best advices I got from rock and roll. For those who are like me, and who grew up with rock and roll, they probably found whole shrine of deepest wisdom withing rock and roll; well this song is like this. My favorite part of lyrics : "Choose to choose / you wake up and ran from the zoo / You found yourself a different view / you find yourself brand new / So choose to choose."  I found out this song 2 days ago, and I think I listen to it for about 50 times so far. I'm addicted to wonderful happy atmosphere of this song, especially that burst of positive energy at the end of chorus when he says : "The fire's burning bright / Through and through / WITHIN YOU". This song is a miracle. 
Last, but not least is "Entrance Song (Rain Dance Version)", the second version of song with same title (minus the Rain Dance version) that got released on Phosphene Dream, and it's a dirty hippie dance tune, where fuzzy vocals are making perfect atmosphere for a garage-sound of acid guitar to kicks in. It's much more dirtier and free-spirited than the released version (and longer, too). At some points heavy and dark as Blue Cheer and The Doors, but still weird and tripped out as early Grateful Dead and Jefferson Airplane. This EP (or B-sides) is probably best EP (or B-sides) I've heard so far. I can't believe that none of this song got released on their last album, especially masterpieces as "Ronettes", "The Boat Song" or "Choose to Choose". However, this EP turned me from regular fan of this band into a manic superaddicted fan of their sound and I'm hoping that they'll visit Europe soon so can give a lecture or two to new bands and continue seeding the World with their amazing sound. If I have to choose, I choose The Black Angels. Thank you for showing me the way :)

SCORE:
+ most amazing EP I've heard in my life
+ they're The Doors and Velvet Underground of our generations
+ thank God for bands like this
+ I think this is one of the most positively rated ablums I ever reviewed

Cover Art : 10/10 - I'm quite a picky when a cover art comes to mind, but this cover is simply amazing. It's a optic shortcut what their music has to offer. Brilliantly done, very retro but still contemporary, diggin' somewhere between psychedelic, op and pop art. I. Love. It.
Psychedelic Rock sound : 11/10 -  Superpsychedelirock! 
Garage Rock sound : 7/10
Blues Rock sound : 5,5/10
Trip-o-meter : 10/10 TOP TRIPPY STUFF!
Recommended tracks : Whole album!



Sunday, February 5, 2012

N.S.U. - Turn On, Or Turn Me Down (1969) - Scottish Heavy Acid Progressive Rock


About : Released on the same label as Sam Gopal, this Scottish band, N.S.U, recorded a super rare album called "Turn On, Or Turn Me Down" in 1969, before they disappeared. Heavy guitar based progressive rock with flashes of Cream and similar late '60's bands.

My words : Get ready for this superb and extremely rare album, recorded by Scottish group N.S.U. Their sound is blend of musical tendencies of late 60s - blues-based heavy acid rock with greasy riffs of krautrock. Europeans always had better feel for  progressive rock than Americans, and this is another proof. Title song ("Turn On, Or Turn Me Down") is sweet psychedelic tune, much influenced by Cream, Moby Grape and early Pink Floyd; "His Town" is Hendrixian take on heavy blues rock, with great jam in the middle. Love Talk is nice hippie mellow tune; with female vocals and downbeat tempo. You'd maybe like to get up and shake your booty with "All Aboard", because it sound like some forgotten tune from San Francisco psych-garage band. Irresistible heavy, dirty riff with mindbending guitar solo are two best thing in this tune. With mysterious bass riff, "The Game" is another jewel on this album. I really like chorus and lead guitar, throwing delicious riffs here 'n there. You know those predictable songs about drugs that psychedelic rock bands do? Well, N.S.U. made this tune, "Stoned" and it's pretty damn good. Sweet intro riff, relaxing structure and beat with catchy chorus "Iiiiii'm stoned..." Outro break with awesome drum fills is quite good. "Pettsie's Blues" is solid blues rock tune, but there's something weird about it. Later, in solo, rhythm guitar seems so strange and wrong, although it follows basic rhythm, I think it's volume that doesn't fit. There's probably some mistakes while mixing. Last track is long psychedelic jam "On The Road" - starts slowly but it's dominant acid power is revealing more and more with every second. Strong, screeching guitar makes beautiful color textures above steady bass background. This album is  HIGHLY RECOMENDED to all heavy psych fans and fans of bands such as Cream, Jimi Hendrix Experience, Blue Cheer...
Peace

SCORE:
+ultrarare heavy psych
+easy to get into

Cover Art : 8,5/10 - Pretty good cover art, I like how it is designed. For 1969, some would expect to be all colored with bazillion of colors, but this is nice, minimal and somehow surrealistic cover art. I really like it, even letters goes well with background. 
Psychedelic Rock sound : 7/10
Progressive Rock sound : 8/10
Blues Rock sound : 4/10
Trip-o-meter : 8/10
Recommended tracks : Stoned; Turn On,Or Turn Me Down; On The Road, All Aboard

Thursday, February 2, 2012

The Byrds - The 5th Dimension (1966) USA Folky Psychedelic Rock



About :  The Byrds were a popular American rock band formed in Los Angeles, California in 1964. They are considered one of the most important and influential bands of the 1960s



Their music bridged the gap between the socially and spiritually conscious folk music of Bob Dylan and the complex pop of The Beatles. Throughout their career they helped forge such subgenres as folk rock,raga rockpsychedelic rockjangle pop, and – on their 1968 classic Sweetheart Of The Rodeo –country rock inviting Gram Parsons on rhythm guitar. The original lineup consisted of Chris Hillman, David Crosby, Michael Clarke, Jim (Roger) McGuinn and Gene Clark. After several line-up changes (with lead singer/guitarist McGuinn as the only consistent member), they broke up in 1973.


The Byrds
from left to right : David Crosby (guitar, back vocals), Chris Hillman (bass guitar), Roger McGuinn (lead vocals, banjo, moog), Michael Clarke (drums), Gene Clark (guitar, harp, tambourine, back vocals)

My words : When someone mention the Byrds, first thought that come to my mind are these : Beatlesque folky rock with elements of psychedelic rock that ruled the 60s with evergreen hits; the group that covered Bob Dylan the most, but also : brilliant group that captured flowy feel of careless 60s during heydays of psychedelia. This album is their introduction to psychedelic rock and is the one of best albums to start if you're into this kind of rock. First tune is mellow "5D (Fifth Dimension)" with translucent feel; some speculated it's about feeling high while on drugs, but there's some science in it, too :) It's also their intro to country style they'll later adopt. "Wild Mountain Thyme" is their way of seeing folk rock - vocals singing harmonies with jangly guitar that speaks out "The Byrds" with it's tone. "Mr. Spaceman" is rock n roll story about alien abduction, it's really fun to listen, because most of people are afraid of alien, but here - the Byrds are begging aliens to take them on a trip. Awesome. "I See You" has strong the-60s-LA-sound - you can clearly hear where Strawberry Alarm Clock picked up their influence. "What's Happening ! !" is Crosby's song that started asking insoluble questions. Song explores oriental culture, adopting raga rock into their opus. "I Come and Stand at Every Door" is song adaptation of Nazim Kihmet's poem 
Kız Çocuğu (The Little Girl) - anti-war song about ghost of a young kid (I hope I understand it right?) that died in Hiroshima during atomic bombing. "Eight Miles High" is their most-known song from this album and it's a truly masterpiece of psychedelic rock. Droning intro pours into a wild-running guitar solo that ends with beautiful harmonies singing chorus. I love how they use their vocals as one instrument, bending and shaping path of the song. "Hey Joe (Where You Gonna Go)" is covered rock classic by Billy Roberts that's already been covered by numerous bands including Love and Jimi Hendrix Experience. Its good version, but can't stand a chance next to Hendrix's. Next one is psychedelic instrumental "Captain Soul" that grew out from studio jamming to Lee Dorsey's "Get Out My Life,Woman" , but I've got to add that this sounds like a homage to Booker T & MG's, really nice and refreshing. "John Riley" is cover of a traditional song, but however this tune didn't seemed so special to me. Nice intro riff, but except that there's nothing exciting. "2-4-2 Fox Trot (The Lear Jet Song)" is just a cheery tune with repeating refrain and background sounds of   airplanes, nothing really special. This album would feel much better if it isn't so much pop-oriented (no longer songs than 3:38). However, there's some bonus tracks (the best one is "I Know You Rider") to keep you occupied when you finish the album. This is one of the most essential psychedelic albums before Summer of Love and I recommend this to you if you're into 60s psychedelic rock-pop bands like Jefferson Airplane, Buffalo Springfield, Moby Grape, Strawberry Alarm Rock and others. Peace

SCORE:
+introduction to Summer of Love
+mixing psychedelic,folk,raga and blues rock into one
-sometimes song are overstreched and with lack of original ideas

Cover Art : 8 / 10 - Nice and minimal but still trippy, surreal and groovy cover. Psychedelic band logo with cool band photo in diverse with black background. I like this cover, although I think they shouldn't write song names on front cover, composition is kinda distinguished. 
Psychedelic Rock sound : 7/10
Folk Rock sound : 6/10
Rock 'n Roll sound : 6/10
Trip-o-meter : 8/10
Recommended tracks : Eight Miles High, 5D (Fifth Dimension), I Come and Stand at Every Door, Captain Soul

Wednesday, February 1, 2012

Merlin's Nose Records



Hey guys, let me tell you about brilliant website Merlin's Nose Record. It's the ultimate psychedelic shelter for all lovers of psych rock, acid folk, experimental rock, space rock, garage rock, progressive rock, you name it - from heavy hitters to absolutely rare albums. It's divided on Merline's Nose Records "headquarters" where you can check out what kind of stuff they're publishing, and Surreal Peppermint Store (as it's logo says : Psychedelic Delights For Mind & Body) is a place where you can find amazing things at reasonable price. I was astonished when I saw some really rare albums - from '68 Growing Concern until '02 Lamp Of The Universe - believe me, they got everything. Except record store covered with epic classics and new age psych stuff, you can check out psychedelic fanzine that's also been published by Merlin' Nose Record owner : Frenzy & Distortion. In latest issue there' interview with Kiryk Drewinski from The Magnificent Brotherhood, the up-and-coming 60s revival garage band, plus Daturana, Vibravoid, Siena Root and many more = tasty! Too bad its not written in English, but however, nice fanzine :) There's also a blog where I found a tons of great music, you can check out Psychedelic Jukebox and be mesmerized by amount of great tunes and recommendations! 

Peace out and be sure to check out Merlin's Nose Records :D

Friday, January 20, 2012

Megaupload is down, strike against SOPA!





I don't know if you're up to date with latest news about something that could be the first Internet war (?), about SOPA law that could censure big part of Internet. Today FBI shut Megaupload, the sharing website where all links from this website were uploaded, which means that ALL LINKS ARE DOWN!
This is big strike not for whole Internet, but for my humble blog too. Future of this blog also come in question because there's at least +100 album I've uploaded there and they're all gone. I'll have to change a lot of things but however, for now this blog will still go on for a while. Can you believe it, that means that big part of these psychedelic rock blogs could go down too, because if SOPA gets approval this could doom whole Internet free sharing. HERE's link about Megaupload affair on Reuters, and HERE you can strike against this retarded law. Peace and strike against this, we have the power to change this thing (and many other too :))

Tuesday, January 17, 2012

Saddar Bazaar - The Conference Of The Birds (1995) - Acid Bluesy Folk Oriental Neopsychedelic Rock



About : Bristol based and formed in 1990 by Shaun Hyder (Sitar etc.) and Rehan Matthew Hyder (Slide Guitar), Saddar Bazaar (Central Market) were soon joined by John Sage on Drums and supported various bands in the local area such as The Seers, Praise Space Electric and the Bevis Frond. They also played at the well known Ashton Court Community Festival in Bristol. By 1992 John had left the band and had been replaced by David Spencer, whilst Tainenska Royal came in on flute and keyboards. It was this line-up that recorded "Night Descent" for the indie charting "Fun With Mushrooms" album on Delerium.




Saddar Bazaar



My words : Week ago, friend of mine show me one song from their debut album (this one) called "Freedom Rider" and I stood amazed. I never heard dirty acid-bluesy slide guitar combined with oriental sitar and bongos - and these guys built their style, which is sadly unrecognized among wider public. They're one of few groups that started first psychedelic rock revival (among Brian Jonestown Massacre, Purple Overdose and others) and left totally unknown. This whole album is completely instrumental, but that doesn't change his quality, because you'll find out (if you download it and listen to it) that this kind of music can only be instrumental, words would just ruin it. First track, Sukoon is mild transcendental relax with soothing sound of sitar. I love this acid-folk mixture, reminds me of one band I reviewed already, called Relatively Clean Rivers (awesome band, check them out!). First part of Arc of Ascent is hot psych blues already. Wild slide guitar that traces roots from Delta travels over the world to meet it's more psychedelic brother, sitar. Part two is with more steady, fuzzy tone of a slide guitar but main idea is the same - to mindblow and beyond. Kiff Riff 's slide guitar tone sounds so lazy, like when you're so stoned you can't get up from your couch, from that perfect comfortable zone. I'm sure this tune will put you into that mood with minimal use of ole Mary. Or maybe...
Garden Of Essence is the longest track and a deep trip inside your subconscious line, it consist of long and repeating raga on sitar, changing later into a beautiful harmony of tripped-out sounds. Sukoon (Reflection) is a kind of a reprise, but with a different melody and rewind effect going through. Shamsa (Sunburst) is a more of a moody folky tune with slight sitar touches to bring some psychedelic color into a composition, later with a more vivid tempo. Baraka is one of the tune where you can hear variety and opus of Saddar Baazar instrument collection. There's some weird instrument that I've already hear somewhere before, with dazed and rather sike-ay-delic sound, but I don't know it's name. Neelum Blue, last track is sitar-slide guitar combination, like the most of songs here, with somehow burned out feel. I don't know it's me or the instrumental nature of this album, but sometimes some songs get repetitive, but it's okay. This album is my new favorite psychedelic-background-music-while-doing-art album and to all those who are into mix of oriental folk sitar and slide bluesy guitar this is HIGHLY RECOMMENDED.  Peace

SCORE:
+beautiful mix of oriental sitar and bluesy slide guitar
+very relaxing and mindmelting
-sometimes repetitive

Cover Art :8,5/10 - I really dig the cover art, I think its beautiful. Blue background with hand-painted colorful birds perfectly describes bluesy acid-trip feel of this album. This is really good cover art.
Psychedelic Rock sound : 9/10
Progressive Rock sound : 4/10
Blues Rock sound : 6/10
Trip-o-meter : 10/10
Recommended tracks : Freedom Rider, Garden Of Essence, Arc Of Ascen (Part One&Two)

Monday, January 2, 2012

Ten Years After - Ten Years After (1967) - UK Jazzy Acid Blues Rock


About : Originally from Nottingham in the UK, Ten Years After, band of virtuoso musicians under the leadership of Alvin Lee conquered the UK scene and then spread their wings to the USA. Their blend of  and was initially slightly awkward but their first album provided an opening for them. In October, their 1967 self-titled debut album was released.

Band members:
Alvin Lee – guitar, vocals
Leo Lyons – bass
Chick Churchill – keyboards
Ric Lee – drums
Joe Gooch – guitar, vocals (joined in 2003)


Ten Years After

From left to right : Alvin Lee - guitar & vocals, Ric Lee - drums, Leo Lyons - bass, down in the middle - Chick Churchill - keys.

My words : After I watched Woodstock documentary from 1970, Ten Years After was one of groups with such mighty performance, that after that documentary you'd immediately  search them on internet and start listening to other stuff. I fell in love with them after just one album and I start diggin' more. So, I guess the best way to introduce someone with this cult group is to listen to their first album. Mix of brilliant and tasty blues (I Want To Know, Losing Dogs, Feel It For Me), knowledge in covering an old blues classics in a new, fresh way (Spoonful), taste of sharp acoustic blues (Don't Want You Woman) mixed with skillful jazz organs (I Can't Keep From Crying, Sometimes ; Adventure of A Young Organ). Old school rock n roll is also visible, as a reasonable result of their musical experimentations (Love Until I Die). However, their brightest diamond is hidden under a name "Help Me"; it's an almost-10-minutes-long acid blues lament. It's slowly shaping, but it's raging power is hidden underneath soft skin of soothing bass rhythm. I've heard a lot tunes from them, but this is one of best vocal and solo guitar performances of Alvin Lee, absolutely stunning. Needless to say what a beast Alvin Lee is when he start soloing. Here you go, this was short review, but everything important is here - go download it and listen to it few times, it's a killer acid blues album. Peace 

SCORE:
+acid blues at it's best
+Alvin Lee shreds
+this album has everything; jazzy blues, acid blues, acoustic blues and long blues jam

Cover Art : 5,5/10 - Cover is pretty average, it's a blurry photo with stiffed psychedelic letters. There's one weird thing - that awkward face between letters and (I think that's Chuck but I dont know) head of a guy in a yellow shirt, kinda creepy. But except nothing really exciting or new.
Psychedelic Rock sound : 6,5/10
Blues Rock sound : 10/10
Old School Rock 'n Roll sound : 4/10
Trip-o-meter : 6,5/10
Recommended tracks : Help Me, Feel It For Me, Don't Want You Woman, Spoonful